Listeners can look forward to the overture of the opera L'anima del filosofo, ossia Orfeo ed Euridice by the Austrian composer Joseph Haydn, arias from operas by Wolfgang Amadeus Mozart and Beethoven's Symphony No.5. The orchestra will be accompanied by soprano Kateřina Kněžíková and the winner of the Jiří Bělohlávek Prize, tenor Petr Nekoranec.
Joseph Haydn
L’anima del filosofo, ossia Orfeo ed Euridice, overture to the opera, Hob. XXVIII/13
Wolfgang Amadeus Mozart
Arias from the operas Così fan tutte, K 558, Don Giovanni, K 527, and La finta giardiniera, K 196
Ludwig van Beethoven
Symphony No. 5 in C minor, Op. 67
Kateřina Kněžíková soprano
Petr Nekoranec tenor
Tomáš Netopil conductor
Czech Philharmonic
This selection of pieces by Haydn, Mozart, and Beethoven can without exaggeration be called a celebration of classicism. Joseph Haydn (1732–1809) was neither the first nor the last composer to set the famous story of Orpheus and Eurydice to music. His predecessors in this regard include Claudio Monteverdi, while Jacques Offenbach did the same after him. The selection of arias from the operas of Wolfgang Amadeus Mozart (1756–1791) illustrates the composer’s path towards absolute compositional mastery. While the comic opera La finta giardiniera (The Pretend Garden-Girl) is the work of an eighteen-year-old youth, Così fan tutte and Don Giovanni are some of the best of the genre and represent the culmination of the famous composer’s fruitful collaboration with his long-time librettist Lorenzo Da Ponte. Ludwig van Beethoven’s (1770–1827) fifth symphony needs no introduction. The leitmotif of the so-called Fate Symphony is the idea of the struggle of mental forces with a metaphysically understood fate full of crises and pain. The result is the search for inner harmony and peace.
Kateřina Kněžíková soprano
Soprano Kateřina Kněžíková is one of today’s most promising singers. Besides performing opera, she is increasingly devoting herself to the concert repertoire, collaborating with such ensembles as the BBC Symphony Orchestra, the Bamberg Symphony, the Camerata Salzburg, or the Orchestra dellʼAccademia Nazionale di Santa Cecilia. Her core repertoire consists of works by Dvořák, Martinů, and Janáček and the song repertoire. She is a laureate of several vocal competitions and was honoured at the 2018 Classic Prague Awards for the best chamber music performance. She earned a Thalia Award for her outstanding performance in Julietta (Martinů) on the stage of the National Moravian-Silesian Theatre.
In 2006 she became a full-time opera ensemble member at the National Theatre, where she is now appearing in many productions including Rusalka, Così fan tutte, Carmen, The Magic Flute, The Bartered Bride, and The Jacobin. Nonetheless, she sees one of her greatest successes as having been the title role in Káťa Kabanová at the Glyndebourne Opera Festival in 2021.
Petr Nekoranec tenor
In the 2022/2023 season, Petr Nekoranec appeared in October 2022 in Florence as Oronte in Handel’s Alcina, opposite Cecilia Bartoli in the title role; in November he performed along with Diana Damrau at the concert Iain Bell and Bel Canto in Prague. In March 2023, he made his debut as Pylade in Gluck’s Iphigénie en Tauride at the Opéra national de Lorraine in Nancy. He returned to the National Theatre in Brno as Tamino (Die Zauberflöte). At the National Theatre in Prague, where he is currently engaged as a soloist, he extended his repertoire, encompassing Almaviva (Il barbiere di Siviglia), Tamino and Ferrando (Così fan tutte), with another two parts: Romeo (Roméo et Juliette) and Don Ottavio (Don Giovanni).
The opera highlights of the 2021/2022 season included performances of Asprando (Nicola Antonio Porpora: Carlo il Calvo) within the Bayreuth Baroque Festival; debuting as Almaviva (October 2021), Tamino (December 2021) and Ferrando (January 2022) at the National Theatre in Prague; appearing as Yurodivy (Boris Godunov) at the Staatsoper Stuttgart, Tamino at the National Theatre in Brno and Almaviva at the Théâtre du Capitole in Toulouse. In July 2021, he and the pianist William Kelley premiered at the Bach Festival in Świdnica, Poland, the monodrama Comfort Starving by the British composer Iain Bell, with whom Petr closely collaborates.
From 2018 to 2020, Petr Nekoranec was a soloist of the Staatsoper Stuttgart, where he portrayed Almaviva (Il barbiere di Siviglia), Ramiro (La Cenerentola) and Ernesto (Don Pasquale). Between 2016 and 2018, he was the first Czech to participate in the prestigious Metropolitan Opera’s Lindemann Young Artist Development Program. From 2014 to 2016, he was a member of the Bayerische Staatsoper in Munich and its Opera Studio, where his repertoire included the title roles in Le comte Ory and Albert Herring, the latter of which earned him the Bavarian Art Prize (2016). In January 2018, he received the Classic Prague Award in the “Talent of the Year 2017” category. In the autumn of 2019, Supraphon released his profile album French Arias (made with the Czech Philharmonic, conducted by Christopher Franklin). Since the 2021/2022 season, he has been a soloist of the National Theatre Opera in Prague.
Petr Nekoranec has garnered numerous accolades. In October 2021, he won second prize at the Vincerò World Opera Competition in Naples; in January 2017, he became overall winner of the Concurso Tenor Viñas at the Gran Teatre del Liceu in Barcelona, where he also received the Plácido Domingo Award. In August 2015, he advanced to the semi-final of the Queen Sonja International Singing Competition in Oslo. In July 2014, he came first at the Ljuba Welitsch International Vocal Competition in Vienna, and in September of that year, he won second prize at the Concours International de Chant in Toulouse. When it comes to his native Czech Republic, he received second prize at the 2013 Antonín Dvořák International Vocal Competition in Karlovy Vary.
Petr Nekoranec studied at the Pardubice Conservatory, under the tutelage of Jarmila Chaloupková. He has further honed his skills with the Italian tenor and vocal coach Antonio Carangelo.
Tomáš Netopil conductor
An inspirational force, particularly in Czech music, Tomáš Netopil was Principal Guest Conductor with Czech Philharmonic from 2018-2024 performing regularly on tour and at concerts in the Rudolfinum Hall in Prague where he continues to conduct the orchestra’s New Year concerts which are live televised. In 2023/2024 season, Tomáš Netopil conducted opera productions including Janáček’s Jenůfa at the Hamburg Staatsoper and Dvořák’s Rusalka at the Prague National Theatre as well as symphonies with Frankfurt Opera Orchestra, Janáček Philharmonic Ostrava, Naples Philharmonic and Fort Worth Symphony Orchestra.
Opera productions in the 2024/2025 season include Mozart’s La Clemenza di Tito at the Grand Théâtre de Genève, Die Zauberflote with the New National Theatre Foundation, Tokyo and Don Giovanni with Oper Köln. Netopil explores a wide range of symphonic repertoire in engagements with Oslo Philharmonic, Antwerp, Kuopio and Sydney Symphony Orchestras, Hong Kong Sinfonietta and Accademia Nazionale di Santa Cecilia. This season sees a welcome return to L'Orchestre Philharmonique de Monte-Carlo as well as a debut with Orchestre National des Pays de la Loire. Another return is to Concentus Musicus Wien which builds on his work with period ensembles. As part of the Prague Spring Festival, Netopil will delight audiences with an authentic production of Mozart’s Requiem.
Seven years ago, Tomáš Netopil created the International Summer Music Academy in Kroměříž offering students both exceptional artistic tuition and the opportunity to meet and work with major international musicians. In summer 2021, in association with the Dvořák Prague Festival, the Academy established the Dvořákova Praha Youth Philharmonic with musicians from conservatories and music academies, coached by principal players of the Czech Philharmonic. Tomáš Netopil has held a close relationship with the Dvořák Prague Festival for some time and was Artist-in-Residence in 2017, opening the Festival with Essen Philharmoniker and closing the Festival with Wiener Symphoniker in Dvořák’s Te Deum.
Tomáš Netopil’s discography for Supraphon includes Janáček’s Glagolitic Mass (the first ever recording of the original 1927 version), Dvořák’s complete cello works, Martinů’s Ariane and Double Concerto, and Smetana’s Má vlast with the Prague Symphony Orchestra with whom he’ll become Chief Conductor and Music Director from 2025/2026 season. During his tenure in Essen, his releases included recordings of Suk Asrael and Mahler Symphony Nos. 2, 3 6 and 9.
From 2008-2012 Tomáš Netopil held the position of Music Director of the Prague National Theatre. He studied violin and conducting in his native Czech Republic, as well as at the Royal College of Music in Stockholm under the guidance of Professor Jorma Panula. In 2002 he won the 1st Sir Georg Solti Conductors Competition at the Alte Oper Frankfurt.
